It would be simple enough to follow him. roger was a man of habits, and even
when his hours of work were irregular, he would still take his mid-day meal,
whenever he did take it, at percy's. miss temple found an antique bookshop across
the street where, as she was obliged to purchase something for standing so long
watching through its window, she on impulse selected a complete four-volume
illustrated lives of sea martyrs. the books were detailed enough for her to spend the
time in the window, apparently examining the books, while actually watching roger
first enter and then, after an hour, exit alone, from the heavy doors across the street.
he walked straight back to his office in the ministry courtyard. miss temple
arranged for her purchase to be delivered to the boniface, and walked back into the
street, feeling like a fool. she had re-crossed the square before she convinced herself
that she was not so much a fool as an inexperienced observer. it was pointless to
watch from outside the restaurant because only from inside could she have
discovered whether or not roger dined alone or with others, or with which particular
others - all important information.
she had a pretty good feeling that the crime she believed he had committed had
no time connection with his working hours, which meant she was likely to learn
nothing from observing his working day. it was after work that any real information
would be gathered. abruptly she entered a store whose windows were thick with all
shapes of luggage, hampers, oilskins, lanterns, telescopes, and a large assortment of
walking sticks. she left wearing a ladies' black travelling cloak, with a deep hood and
several well hidden pockets, opera glasses, a leather-bound notebook and an allweather pencil. miss temple then took her tea.
between cups of tea and two cakes, she made entries in the notebook,
summarising her plan and then describing the day's work so far. that she now had a
kind of uniform and a set of tools made everything that much easier and much less
about her particular feelings, for tasks requiring clothes and supporting equipment
seemed somehow more objective, even scientific, in nature. in keeping with this, she
made a point to write her entries in a kind of code, replacing proper names and places
with synonyms or word-play that hopefully would not be understood by anyone but
herself.
miss temple left the tea shop at four o'clock, knowing roger to leave usually at five,
and hired a carriage. she instructed her driver in a low, direct tone of voice, after
assuring him he would be well paid for his time, that they would be following a
gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. the driver nodded, but said nothing
else. she took his silence to mean that this was a usual enough thing, and felt all the
more sure of herself. when roger appeared, some forty minutes later, she nearly
missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the
courtyard gates just in time to see roger, standing in the road with an air of
confidence and purpose that took her breath away, flag down a coach of his own.
miss temple knocked sharply on the roof of the coach and they were off.
the thrill of the chase, complicated by the nervousness of seeing roger, was quickly
lost when, after the first few turns, it became obvious that roger's destination was
nowhere more interesting than his own temple thought it would be easy to follow roger because
a\\he always took a break at the same time
b\\his work shedule never changed
c\\he always ate lunch at a particular location
d\\she already knew the shedule of his working day.
Born in a family of career, Anna from a young age dreamed of becoming an actress. At the age of five she was sent to the section of sports gymnastics. In high school, the future actress on a professional level been engaged in sports aerobics, winning several major competitions. But the dream to act in films or play in the play did not leave her even for a day. Snatkina independently studied the history of theatre and the Stanislavsky and shone in a school theatrical circle.As a entrant, was engaged on preparatory courses WTU them. B. Shchukin and Cinematography. The result of hard work not long to wait – right after high school, Anna immediately took in three of the theatrical school of Moscow. Her choice fell on the University, a student came to the course Vitaly Solomin.
Being in a creative atmosphere, Snatkina actively and persistently seek in the movie, while not neglecting the filming of commercials. In 2003 she was lucky, Anna guest-starred in the TV series “Plot”, followed by a mini-serial “Moscow Saga”. After graduating in 2005, classic beauty Anna gets the role of Princess Tatiana in the TV series “Yesenin”, after playing the very Natalia Goncharova in the drama “Pushkin: Last duel” and becomes defensive Anastasia Vorontsova in melodramatic series “notes of the secret Chancellery forwarder 2”, released in 2011.
In 2012, hard-working Anna Snatkina plays in the mystical drama “the Effect of bogarne”, a children's movie “Mystery of the Snow Queen”, “barbarian 3D” and the TV series “I'm not going back,” in which the actress gets just two roles she plays twin sisters.
Anna also tightly involved in the theatrical repertory company where he played leading roles in productions of “die Fledermaus”, “Intrigue and love”, “the Big Zebra” and many others. Possessing good vocal skills, the actress Snatkina also performs the soundtrack. Her voice sounds in the series: “I'm not going back”, “Doomed to become a star,” “Two loves” and “Tatyana's day”.
In 2013, Anna Snatkina participated in the filming of the scenes: “Dollhouse”, “Process”, “Save or destroy” and “Kill the dragon”.
Актриса Анна Снаткина – настоящая звезда российских сериалов, успевшая сняться в 38 картинах, среди которых не только мыльные оперы, но и телевизионное кино. Также актриса активно играет в театре и поет. Рожденная в семье авиаинженеров, Анна с младых ногтей мечтала стать актрисой. В пятилетнем возрасте ее отдали в секцию спортивной гимнастики. В старших классах будущая актриса на профессиональном уровне занималась спортивной аэробикой и даже выиграла несколько крупных соревнований. Но мечта сняться в кино или сыграть в спектакле не оставляла ее ни на день. Снаткина самостоятельно изучала историю театра и систему Станиславского и блистала в школьном театральном кружке.Будучи абитуриенткой, занималась на подготовительных курсах ВТУ им. Б. Щукина и ВГИКа. Итога упорной работы не заставил себя долго ждать – сразу по окончанию средней школы Анна сразу в три театральных ВУЗа Москвы. Ее выбор пал на ВГИК, студентка попала на курс Виталия Соломина. Оказавшись в творческой атмосфере, Снаткина активно и настойчиво стремиться в кино, не пренебрегая съемками в рекламных роликах. В 2003 году ей улыбнулась удача, Анну пригласили сниматься в сериале “Участок”, далее последовал мини-сериал “Московская сага”. После окончания университета в 2005 году классическая красавица Анна получает роль княжны Татьяны в сериале “Есенин”, после играет саму Наталью Гончарову в драме “Пушкин: Последняя дуэль”, а также становится крепостной Анастасией Воронцовой в мелодраматическом сериале “Записки экспедитора тайной канцелярии 2”, вышедшем в 2011 году. В 2012 году трудолюбивая Анна Снаткина играет в мистической драме “Эффект Богарне”, детском кино “Тайна Снежной Королевы”, “Варвара 3D” и сериале “Я не вернусь”, в котором актрисе достаются сразу две роли – она играет сестер-близнецов. Также Анна плотно задействована в театральной антрепризе, где играет ведущие роли в спектаклях “Летучая мышь”, “Коварство и любовь”, “Большая зебра” и многие другие. Обладая хорошими вокальными данными, актриса Снаткина также исполняет саундреки. Ее голос звучит в сериалах: “Я не вернусь”, “Обреченная стать звездой”, “Две любви” и “Татьянин день”. В 2013 году Анна Снаткина принимала участия в съемках картин: “Кукольный дом”, “Процесс или уничтожить”, а также “Убить дракона”.