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the economic science 1 scientific, i.e. objective explanations of how the economy functions. in this 2 it applies the 3 approach where economists study what it is and what it can be in reality. if an issue in positive economics is scientifically proved, there is no place to any 4 left. but there can be different 5 views on 6 problems which provide 7 for further research. economists may have their own 8 judgements on economic issues. here they deal with 9 economics where it becomes difficult to 10 disputes. however, positive economics shows the distinct 11 of how to make a normative choice.
a. disagreement
b. imply
c. subjective
d. scope
e. clarify
f. claims
g. searches for
h. unresolved
i. implications
j. regard
k. positive
l. value
m. persuasion
n. normative
Ex-2
Graffiti from centuries and even millennia ago can reveal the grievances, passions, games, and ordinary business dealings of regular people from the long-lost past. Pompeii might be the most famous spot to find such scrawls, but it’s not the only place where bygone messages have been found. Here are seven examples of graffiti from the ancient world.
1. “I VISITED AND I DID NOT LIKE ANYTHING EXCEPT THE SARCOPHAGUS!”
A Chinese teen visiting Egypt prompted outrage when he wrote his name on the wall of the 3500-year-old Luxor Temple in 2013. But he was hardly the first traveler to commit such an offense—there’s a long tradition of leaving “I was here” graffiti while visiting Egyptian ruins. One team of researchers recently counted over 1000 inscriptions inside the tomb of pharaoh Ramesses VI in the Valley of the Kings—many of which were from Romans who visited the site 2000 years ago. Their ancient declarations include familiar complaints of disappointed tourists: “I visited and I did not like anything except the sarcophagus!” and "I cannot read the hieroglyphs!"
. A MENAGERIE OF WILD ANIMALS
A winged lion graffito at the Great Enclosure of Musawwarat es-Sufra
MUSAWWARAT GRAFFITI ARCHIVE // CC BY-SA 4.0
Crocodiles, elephants, rhinoceroses, baboons, and dogs are among the wild animals inscribed on the blocks of a labyrinth-like complex known as the Great Enclosure of Musawwarat es-Sufra. This monument, in modern-day Sudan, was part of the Kingdom of Kush when the drawings were made more than 2000 years ago. Some of the animals also include religious iconography, such as a lion with wings and crown said to represent the deity Apedemak. Archaeologists don't know the function of many of the rooms in the complex, but some have used the graffiti to support their theories about the purposes of different sections. They've proposed interpretations ranging from animal trading stations and elephant training grounds to a holding pen for prey that could be “hunted” by royals who needed to prove their abilities.
Ex-3
1-C
2-A
3-B